The third movement of his Symphony in Brass is used as the theme music for National Public Radio's political coverage. Luke's Chamber Ensemble, Greenwich Symphony, Fairfield Chamber Orchestra, American Brass Quintet, Borealis Wind Quintet, Bellevue Philharmonic, Detroit Chamber Winds, Western Piedmont Symphony, School for Strings, L'Amore di Musica, New York State Council on the Arts, the Philip-Morris Companies, Jerome Foundation, University of Arizona, University of Oklahoma, Music Academy of the West, and by soloists such as Julius Baker, Mindy Kaufman, Philip Smith, Joseph Alessi, and Eugene Becker (of the New York Philharmonic), Toni Lipton and Scott Brubaker (of the Metropolitan Opera), Olegna Fuschi, Rebecca Scott, James Houlik, Linda Strommen, and Leon Russianoff, among others. His works have been commissioned and performed by organizations such as the St.

Many of these works are performed regularly. In recent years, he has increasingly written for brass instruments. Music Įwazen's compositions have been performed by numerous ensembles and orchestras around the world, such as the Cleveland Orchestra, and at festivals such as Woodstock, Tanglewood, Aspen, Caramoor, Tidewater, and the Music Academy of the West, among others. He served as Vice President of the League of Composers – International Society for Contemporary Music from 1982–1989, and was also composer-in-residence for the Orchestra of St. He has also served on the faculties of the Hebrew Arts School and the Lincoln Center Institute. He has been on the faculty of The Juilliard School since 1980, and has been a lecturer for the New York Philharmonic's Musical Encounters Series. Ewazen studied composition under Samuel Adler, Milton Babbitt, Gunther Schuller, Joseph Schwantner, Warren Benson, and Eugene Kurtz at the Eastman School of Music and The Juilliard School (where he received numerous composition awards, prizes, and fellowships).

Ewazen bass trombone concerto